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Review: ‘Star Wars: The Last Jedi’ Slowly Satisfies with Busy Space Opera

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There’s a lot to unload from The Last Jedi, the intensely-awaited continuance of the new Star Wars trilogy. I went in with the intent of making a list of the film’s primary plot points to avoid writing any crucial spoilers in my review. That list turned out to be longer than I thought, occupying two pages of my reporter’s notebook. As you may have guessed from such a length, the film does answer many of the questions left hanging after The Force Awakens and even brings a handful of arcs to conclusions I was not anticipating. That’s the good news. The bad news is that it’s all scrunched into a 152-minute epic that hardly has time to breathe between dark discoveries, weird alien creatures, and booming space battles.

As the middle chapter of this latest Star Wars trilogy, director Rian Johnson has aimed to make The Last Jedi the familiar narrative of kicking the heroes down a hole to crawl out of, and it’s a mighty big hole this time. The Resistance, led by General Leia Organa (Carrie Fisher), are now falling back after their successful destruction of the First Order’s Starkiller Base, the mega Death Star that could blow up multiple planets at a time. The First Order still has an armada with a massive battleship, The Dreadnought, that might not be able to blow up planets, but can make short work of a Resistance Base or an entire fleet. Even if that ship goes down, there’s no shortage of big cannons for blowing up rebel scum, from space and land.

Luke-Skywalker-Rey-Daisy-Ridley-Star-Wars-Last-Jedi-TV-Spot-Creatures-Ships

Facing their toughest hour, the Resistance needs all the help it can get from some unlikely heroes. Fighter pilot Poe Dameron (Oscar Isaac) continues to lead the Resistance fighters into battle but needs to learn to make better calls that don’t lead all his men towards kamikaze maneuvers (and there’s a lot of them in this film). Stormtrooper-turned-Resistance-fighter Finn (John Boyega) believes he can use his First Order knowledge to save the day but will require some extra help from the plucky engineer Rose (Kelly Marie Tran). Both will have to contend with the stern Vice Admiral Amilyn Holdo (Laura Dern) that has her risky strategies as well.

Elsewhere, potential Jedi knight Rey (Daisy Ridley) has sought the tutelage of hermit Jedi Luke Skywalker (Mark Hamill), whose days of wielding the powers of the Force are behind him. Of course, there’s the obvious comparison to the similar trials Luke went through in The Empire Strikes Back with Master Yoda. History is repeating itself, but Luke is a far more notable curmudgeon for wanting to change all that this time. And after what he reveals about the First Order’s star Sith Lord Kylo Ren (Adam Driver), you start to understand his desire to cut himself off from the world. By that same token, the more we learn about Kylo Ren’s history, his plight is a little more sympathetic for his rage and bitterness for not appeasing the sinister Supreme Leader Snoke (Andy Serkis).

These characters and themes are enough to weave a brilliantly somber bridge picture but must struggle to share the screen with so much else going on in the plot. Even at over two hours, the film feels overstuffed with so much going on that some of the more strong emotional scenes don’t carry as massive an impact as they should. I liked the inclusion of Benicio del Toro as a shapeshifter, but his introduction requires a detour to a casino planet that feels criminally underexplored, even with the abundance of alien-looking patrons and weird horse creatures raced for sport. There’s an epic fight between Finn and his bitter former superior Captain Phasma (Gwendoline Christie), but she arrives so late to the party that their confrontation doesn’t hold the same level of intensity that was present in the previous film. There’s a backstory to Rose and her mission but she is fighting for screen time so badly. There are so many character arcs, backstories, Jedi mythos, space battles, lightsaber duels, and technobabble of ship strategies that there’s enough material here for three whole movies. No wonder Rian Johnson is considering making an entire Star Wars trilogy of his very own.

There’s a lot to like about The Last Jedi, but so much great stuff is rushed towards the screen that there’s only enough time to see them as merely good stuff. I missed the more straightforward style of adventure from The Force Awakens where a handful of heroes are followed and developed. Now there are even more characters and splintering arcs that always kept the movie moving but only made me wish it would take the time to stop and smell the oddly-colored flowers. As a result, many of the film’s quieter and more psychological moments come off without as much depth. There’s no time for letting these scenes play out longer; not when there are cute little Porg creatures to latch onto the fuzzy Chewbacca like pesky puppies.

For cramming so much into this story, there’s no doubt this will be a very divisive film for the Star Wars fans, especially those with fan theories that will perhaps be dismayed all their predictions did not come true. Still, I have to give Rian Johnson credit for going a little bolder by attempting to defy convention and not leave too many loose threads hanging by the end of the picture. The humor is still there, the space battles are more epic, and there are enough twists to keep the story interesting with no guarantees about who will survive. At the very least, Hamill’s performance is a major highlight, portraying Luke as the most badass Jedi that ever lived. If The Force Awakens was a fitting salute to Han Solo and Rogue One a tribute to making Darth Vader a fearsome foe, this movie is Luke’s time to shine as the brightest spark of heroism in this saga. The Force is certainly still with him.

[author title=”About the Author” image=”http://popstermedia.com/wp-content/uploads/2015/07/mark_mcpherson-300×221-150×150.jpg”]Movie Reviewer Mark McPherson has been all about movies since working at a video store in his youth. His talents range from video editing to animation to web development, but movies have always been his passion to write about.[/author]

Izzy

Movie Magic: The De-Aging Technique of The Irishman

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Have you read Izzy yet? If so, you know that Izzy makes the apples that give the Gods their youth and immortality. It also seems Robert De Niro discovered one of Izzy’s apples too… In Martin Scorsese’s upcoming biographical film, he stars as Frank “The Irishman” Sheeran, a labor union leader and alleged hitman for the Bufalino crime family. The trailer for the movie, which will premieres NEXT WEEK (!), also features a “de-aged” De Niro. “We’re so used to watching them as the older faces,” Scorsese said in an interview on the A24 podcast. “Does it change the eyes at all? …If that’s the case, what was in the eyes that I liked? Was it intensity? Was it gravitas? Was it threat?…How do we get that? I don’t know.” Some might consider this magic and I for one can’t wait to see the impact of Izzy’s apples on screen for myself. 😉

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“Captain Marvel” Retains Top Slot at the Box Office

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It’s no surprise that in its second weekend, the first Marvel Cinematic Universe of 2019 is still riding high. Captain Marvel, the latest in the MCU with Brie Larson starring as the lead, generated another $69 million over the weekend, placing its domestic total at $266 million. Tallying up the international box office, the film’s global total to date is $760 million. Despite the online controversy, the film is looking to be another strong box office smash for Disney and Marvel.

As for the premieres for the weekend, and there were plenty, they were all over the map. Just below Captain Marvel was the animated adventure Wonder Park, bringing in $16 million, another film with controversy when the director’s name was removed from the picture after sexual harassment charges. Five Feet Apart, the dying teen drama about a romance amid cystic fibrosis, only came in at #3 with a weekend gross of $13 million. And debuting the lowest in the top 10 for debuts was Captive State, a sci-fi dystopian tale, only making $3 million. The film debuted so low the little film No Manches Frida 2 was able to sneak about it at #6 with a gross of $3.8 million.

Drops were fairly low all around for the returning films, mostly because Captain Marvel was dominating the previous weekend. The only milestone worth noting is that The LEGO Movie 2, after six weeks at the box office, finally cracked $100 million. And the sun is now setting on Green Book’s post-Oscar run by coming in at #10 for the final weekend of its top 10 run over the past few weeks.

View the full top ten weekend box office results below:

Captain Marvel ($69,318,000)

Wonder Park ($16,000,000)

Five Feet Apart ($13,150,000)

How to Train Your Dragon: The Hidden World ($9,345,000)

Tyler Perry’s A Madea Family Funeral ($8,085,000)

No Manches Frida 2 ($3,894,000)

Captive State ($3,163,000)

The LEGO Movie 2: The Second Part ($2,135,000)

Alita: Battle Angel ($1,900,000)

Green Book ($1,277,000)

Next weekend, Captain Marvel may very well have some competition when Jordan Peele’s new horror film Us hits over 3,600 theaters.

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“Dragon” Continues To Soar, “Funeral” Close Behind, “Green Book” Back

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With little competition for the weekend, How to Train Your Dragon: The Hidden World, the third in the animated fantasy saga, was able to secure the box office once more. In its second weekend, the animated epic made $30 million to push its domestic total to $97 million. So far the film has done about the same as the previous film and is on track to stay in the top 10 for a few more weeks in March.

Debuts this weekend were small with one big exception. Tyler Perry’s latest Madea film, A Madea Family Funeral, naturally made a relatively big splash with its dedicated audience. Starting at #2, the film made $27 million for its first weekend. No word on the budget yet but it’s most likely on a budget as most Tyler Perry productions are, so it’s safe to call this a success, especially for debuting with a box office so close to Dragon.

The rest of the premieres were not as strong at all. Greta, the new thriller starring Chloe Moretz, debuted all the way down at #8 with $4.5 million box office. To be fair, however, the film was in a constant battle for its spot as three other films also reported earnings around $4 million for the weekend. Of note, Green Book, fresh off winning the Academy Award for Best Picture one weekend ago, splashed back into more theaters to arise even higher in the top 10 with its domestic total now sitting at $73 million. Don’t count on it remaining there long as bigger blockbusters will be swooping as we plow through the last remnants of winter movies.

Check out the full listing of the top 10 box office weekend results below:

How to Train Your Dragon: The Hidden World ($30,046,000)

Tyler Perry’s A Madea Family Funeral ($27,050,000)

Alita: Battle Angel ($7,000,000)

The LEGO Movie 2: The Second Part ($6,615,000)

Green Book ($4,711,000)

Fighting With My Family ($4,691,284)

Isn’t it Romantic ($4,645,000)

Greta ($4,585,000)

What Men Want ($2,700,000)

Happy Death Day 2U ($2,516,000)

Next weekend is once again all about Marvel as their latest superhero solo film, Captain Marvel, will be appearing in 4,100 theaters.

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