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‘The Boss Baby’ Takes #1 Spot in Opening Weekend Smackdown

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The Boss Baby Box Office MovieSpoon.com

[dropcap]W[/dropcap]ith a smack-down, hard-edged mentality out of the executive suite–and not too much else sweet about it–animated comedy The Boss Baby roared over the weekend, collecting a cool $49 million for 20th Century Fox. The Alec Baldwin vehicle earned just enough to send box office pace setter Beauty and the Beast down to No. 2 on the revenue chart with a weekend take of $47.5 million.

Who could argue with an infant who knows the ins and outs of corporate American like the back of its hand and uses his adult-level intelligence to manipulate his older brother and wage a stealth war against puppies, which rival infants and compete with puppies for attention from adults?

The Boss Baby Box Office MovieSpoon.com

Alec Baldwin in baby form.

Beauty and the Beast, starring Emma Watson, meanwhile, has slid fast from the opening weekend pace that put the musical at No. 7 on the all-time list of revenue earners in their first weekend of release. Beauty and the Beast opened with a $170 million weekend and may even find itself ahead of The Boss Baby in the weeks ahead if it proves to have more staying power than Alec Baldwin in diapers.

Scarlett Johansson‘s latest film Ghost in the Shell, released by Paramount and skewered by critics, was in a distant third place with a take of $19 million. Lionsgate’s Power Rangers earned $14.5 million to land at No. 4 on the list, followed by Kong: Skull Island (Warner Bros., $8.8 million), Logan (20th Century Fox, $6.2 million), Get Out (Universal, $5.8 million), Life (Sony, $5.6 million), CHIPS (Warner Bros., $4 million) and The Zookeeper’s Wife (Focus Features, $3.3 million).

Related: Movie Review: ‘Ghost in the Shell’ Favors Gorgeous Style over Hard Sci-Fi

The disappointment of the week has to be The Zookeeper’s Wife, which is a poignant story of a zookeeper and his family who used their facility, the Warsaw Zoo, to shelter Jews escaping the holocaust in Poland. The family ended up hiding more than 300 Polish Jews from almost certain death in prison camps.

But the film has been reviewed as “devoid of tension,” and “too mild,” according to The Atlantic, with too much attention paid to the zookeeper’s wife, who was mostly unaware of what was going on, but was also a kind of animal-whisperer who had a magic touch with animals. This plays up her angelic qualities, but doesn’t do much to help the plot and it takes attention away from the Jews who are, after all, at the center of the story.

Too bad.

 

Review scorekeeper Rotten Tomatoes (RT), meanwhile, shows that reviewers didn’t care much for The Boss Baby, either. From top to bottom on the RT list for the week – touching on scores for the top 10 money makers – starts with Get Out with an approval rating of 99 percent (almost unheard of), followed by Logan (92 percent), Kong: Skull Island (77 percent), Beauty and the Beast (71 percent), Life (66 percent), The Zookeeper’s Wife (59 percent), The Boss Baby (49 percent), Power Rangers (48 percent), Ghost in the Shell (45 percent) and CHIPS (19 percent).

[author title=”About the Author” image=”http://popstermedia.com/wp-content/uploads/2016/03/Jabba_the_Hutt-Anthony-Hall.png”]Movie guy Anthony Hall is an enigma. He’s never been photographed and only works late at night after everyone has left the office. Hall’s articles have appeared in The New York Times, USA Today, The Miami Herald (and more). [/author]


Box Office

“The Grinch” Steals Box Office, “Overlord” and “Spider” Left With Scraps

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The holiday Christmas movie season starts early as it usually does in November. Just one week after The Nutcracker and the Four Realms, along comes Dr. Suess’ The Grinch, the theatrical animated adaptation of the classic children’s novel, helmed by Illumination Studios of Despicable Me fame. The animated comedy raked in $66 million for its first weekend, well on its way to conquering its $75 million budget as the holidays roll on. Given Illumination’s track record with comedy among kids, expect the film to stick around for the next two months.

The rather high box office of Grinch stole the thunder of the other two films debuting this weekend. Overlord, a Nazi zombie action/horror romp, debuted at #3 with a domestic gross of $10.1 million, which is not exactly a strong opening for a film with a $38 million budget. But it could’ve been worse as The Girl in the Spider’s Web: A New Dragon Tattoo Story, the action sequel to The Girl with the Dragon Tattoo, premiered at #5 with a box office take of only $8 million on a $43 million budget. Don’t be surprised if you see these darker, violent films take a tumble coming into the holiday season that seeks more PG-13 genre films for the families to venture out to the theater for.

Bohemian Rhapsody, the Freddie Mercury and Queen biopic, is holding firm at #2 on its second weekend with a weekend gross of $30.8 million, bumping its domestic total up to $100 million. The Nutcracker and the Four Realms, however, isn’t doing so well in its second weekend. The Disney fantasy adventure only made $9.5 million over the weekend, a 53% drop with a domestic total sitting at a meager $35 million. Not a very strong take for a Disney Christmas fantasy that cost $120 million.

It’s no surprise, however, that David Gordon Green’s Halloween took the biggest dip of the weekend at 64%. It’s surprising the horror film is even still here at #9 in the box office, the domestic total now sitting at a very pleasing $156 million. Also holding firm once again at #10 is The Hate U Give, having made $26 million for only being in 1,100 theaters.

View the full top 10 box office weekend results below.

Dr. Seuss’ The Grinch ($66,000,000)
Bohemian Rhapsody ($30,850,000)
Overlord ($10,100,000)
The Nutcracker and the Four Realms ($9,565,000)
The Girl in the Spider’s Web: A New Dragon Tattoo Story ($8,015,000)
A Star is Born ($8,010,000)
Nobody’s Fool ($6,540,000)
Venom ($4,850,000)
Halloween ($3,840,000)
The Hate U Give ($2,070,000)

Next weekend will feature magical beasts versus dysfunctional families versus women robbers. Fantastic Beasts: The Crimes of Grindelwald, the second film in the new Harry Potter spin-off series, will debut in 4,000 theaters. Instant Family, a family comedy starring Rose Byrne and Mark Wahlberg, will hit 3,000 theaters. Also debuting in 3,000 theaters will be Widows, the all-star heist picture directed by Steve McQueen and starring Viola Davis.


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Box Office

Big “Bohemian Rhapsody” Opening While “Nutcracker” Trails

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In weekend box office battle, it’s Queen who is king. Bohemian Rhapsody, the Freddy Mercury and Queen biopic, came in at #1 making $50 million domestic. With a $52 million budget, this is a very successful opening for the film, despite the mixed critic reaction. Falling just behind it with less than half the take is The Nutcracker and the Four Realms, Disney’s latest fantasy adventure debuting early for the Christmas season. The film did poorly with critics and even poorer at the box office, bringing in only $20 million which is not a good debut at all for such an expensive epic. Also just behind is Tyler Perry’s new romantic comedy, Nobody’s Fool, taking in $14 million, strangely low for a Tyler Perry movie, especially when you consider that higher budget of $19 million.

Since Halloween is over, it’s natural to see that David Gordon Green’s Halloween would dip in the box office and it certainly fell the lowest this week with a 64% drop. Falling sharply from #1 to #5, the film made $11 million for the weekend but it’s not a huge concern given the film has already made $150 million on a budget of $10 million. Almost tying with the picture is A Star Is Born, the Bradley Cooper/Lady Gaga musical drama that has proven to be a box office darling, earning $11.1 million over the weekend with a $165 million domestic gross. And still sticking like goo to the box office is Venom, Sony’s solo villain picture starring Tom Hardy, making another $7.8 million for a domestic total nearly at $200 million.

Aside from A Star is Born being the smallest drop of the weekend, it also tied for the lowest drop with Smallfoot, Warner Bros animated comedy that is proving to have modest legs to stick around. The animated film with the voices of Channing Tatum and James Cordon made $3.8 million for a $77 million domestic gross. And The Hate U Give, the racial drama, is still hanging in there at #10 with a domestic total now sitting at $23 million, rather strong for a drama that slowly rose up over the course of October.

Bohemian Rhapsody ($50,000,000)
The Nutcracker and the Four Realms ($20,000,000)
Nobody’s Fool ($14,000,000)
A Star is Born ($11,100,000)
Halloween ($11,015,000)
Venom ($7,850,000)
Smallfoot ($3,805,000)
Goosebumps 2: Haunted Halloween ($3,700,000)
Hunter Killer ($3,525,000)
The Hate U Give ($3,400,000)

We hope you’re ready for Christmas because those movies are going to start early. Next weekend will see the 4,000 theater debut of The Grinch, the latest animated comedy from Illumination Studios based on the classic Dr. Seuss book. But it’ll have some adult competition with The Girl in the Spider’s Web: A New Dragon Tattoo Story opening in 3,000 theaters (the sequel to 2011’s The Girl with the Dragon Tattoo), and Overlord, a Nazi zombie action picture, opening in 2,500 theaters.


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“Halloween” Tops Last Weekend of October, “Hunter Killer” Sinks

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It’s not exactly a huge surprise that a film called Halloween would be the top earner on the last weekend before Halloween. But it has certainly earned that spot for being a big hit with audiences, given its astounding first-weekend debut to break records for an R-rated movie in October. Though the box office has dipped 58% in its second weekend, the film is still holding firm at #1, earning a weekend gross of $32 million. This sets its domestic gross now at $126 million. You can naturally expect the film to dip further as we head into November but don’t be surprised if this audience-pleaser hangs around a bit longer.

Halloween wasn’t the only film to hold its spot. In fact, four films have stood their ground this weekend. A Star is Born remains at #2, with a weekend gross of $14 million and a domestic total of $148 million. Considering the mere 25% drop, the film is proving to have remarkably great legs as both an awards contender and an audience favorite that everyone is talking about. Dropping but hanging in there is Venom at #3, earning another $10 million for its $187 million total, having already set records for October. Goosebumps 2 is also standing firm at #4 with $7.5 million for the weekend and $38 million total, as a suitable Halloween film for the kids. And still hanging in there is The Hate U Give, remaining at #6 with a $5 million weekend and $18 million total.

The only big debut for the weekend was Hunter Killer, a submarine thriller starring Gerard Butler, and it didn’t make a big impression. The film debuted at #5 to make only $6.6 million which is not a strong opening at all for such a film. I guess audiences weren’t in the mood for a military thriller amid a Halloween season of thrilling horror films for kids and adults. Also debuting low but not a disappointment for such a small film is Mid90s, the Jonah Hill directed skater drama taking place in the 1990s. The film expanded to over a thousand theaters and arrived at #10 for a domestic total of $3 million.

View the full top 10 for the weekend below:
Halloween ($32,045,000)
A Star is Born ($14,145,000)
Venom ($10,800,000)
Goosebumps 2: Haunted Halloween ($7,500,000)
Hunter Killer ($6,650,000)
The Hate U Give ($5,100,000)
First Man ($4,935,000)
Smallfoot ($4,750,000)
Night School ($3,255,000)
Mid90s ($3,000,000)

Next weekend will be a big battle of bands, nutcrackers, and Tyler Perry. Bohemian Rhapsody, the Queen biopic, will open to 3,800 theaters. The Nutcracker and the Four Realms, Disney’s latest fantasy adventure, will also open to 3,800 theaters. Nobody’s Fool, another Tyler Perry comedy, will open to 2,400 theaters. Also opening small will be the horror remake of Suspiria, appearing in select theaters on Halloween before expanding for the weekend.


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