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Review: “The Commuter” Doesn’t Steer Too Far Off The Rails

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I’ve often cited director Jaume Collet-Serra as the director of the “better” Liam Neeson action films. He places Neeson in thrilling scenarios that are not exactly original, but still simmering with excitement. The Commuter is no different, maintaining Jaume’s ability never to surprise, but never bore. You’re not wrong if you thought this movie was just Jaume and Neeson’s previous film Non-Stop, only with the plane swapped for a train, but it’s still just as stirring and entertaining. Don’t force that phone out of Neeson’s hand if it ain’t broken.

the commuter movie spoonYou can play a game of bingo with trying to spot all the Neesonisms. He plays Michael McCauley, an insurance salesman who was recently fired and has a family to fund. At one point we’ll learn that he used to be a cop. Not long into the film and he’ll be talking to a terrorist on a cell phone, holding his family hostage unless he completes a task. His task will involve tracking down a certain mysterious passenger and retrieve some mysterious MacGuffin. Naturally, the terrorist has secret agents on the train tracking his every move. And he’ll need to find the right person by the last stop before his family becomes the next casualties in the slowly stacking body count.

Jaume’s direction is as striking and inventive as it ever was. He leads the camera through everything from the hole in ticket stubs to the roaring wheels of the train. In what I hope is becoming a new tradition, Neeson will also battle someone with an unusual weapon. In Jaume’s previous Neeson film, Run All Night, it was flaming two-by-fours. In this movie, it’s a guitar he brandishes against someone with an ax. There’s plenty of gritty fist fights to be had, including one where bodies are forced out the train window while an opposite track train zooms by. And it wouldn’t be an action-packed thriller if we didn’t see the train fly off the tracks in a grand spectacle of destruction.

The Commuter, however, stays relatively on track. Don’t get me wrong; it does become very preposterous as it goes along. Everything seems as though its well-coordinated to conspire against Neeson’s character that he has to turn into as much of a detective as he does a kick-butt action hero. There’s a lot of lost potential with such a complex scenario where so much more could be explored. A major disappointment is the supporting players of Patrick Wilson and Sam Neill being reduced to bookended roles. Both are fantastic actors and fun to watch in their very brief scenes that it’s a shame they don’t stay with the story as consistently. Oh, and we don’t get a scene of Neeson fist-fighting atop a speeding train.

This is the type of film that after a while you stop caring about the convoluted conspiracy and become more infatuated with the spinning wheels of a familiar vehicle. On that level, The Commuter is a fun enough thriller that always keeps the mind moving, the blood pumping, and the eyes entertained. Neeson proves he still has some fire in his belly at 65 with another role that finds him desperate, furious, scared, and sympathetic. He never misses a beat, including an amusing moment of commentary when he overhears an investor working for Goldman Sachs, giving him the finger and telling him F you on behalf of the middle class. Jaume hasn’t lost it either in staging engaging action and tension building shots. I don’t know how long he can keep the Neeson-in-duress-on-the-phone genre going, but it’s proven to have some remarkable mileage thus far.

[author title=”About the Author” image=”http://popstermedia.com/wp-content/uploads/2015/07/mark_mcpherson-300×221-150×150.jpg”]Movie Reviewer Mark McPherson has been all about movies since working at a video store in his youth. His talents range from video editing to animation to web development, but movies have always been his passion to write about.[/author]


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“Ralph” and “Grinch” Steal Slow Box Office Weekend

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Aside from the re-release of Schindler’s List, there is nothing new in the box office for the weekend. Seriously, there’s nothing. And I thought last weekend was slow. With no new films in the running, it’s pretty much a repeat as the box office takes a snow day.

Once again, no surprise, Ralph Breaks The Internet is still on top. In its third weekend, the animated Disney adventure grossed $16 million for the weekend and $140 million for its domestic total. It still has a ways to go to top its $175 million but it should be closing in soon. Also no surprise following closely behind is Dr. Seuss’ The Grinch, the computer-animated holiday comedy based on the book by Dr. Seuss. After five weekends, it’s still in the top 5, making another $15 million for the weekend and $223 million domestic total. Worth noting is that, despite this weekend being slow, the movie only took a 15% dip from last weekend. And you can bet it’ll be sticking around for the rest of December.

As for everything else, very few films moved from their spots with one exception. Green Book, the historical racial drama, is picking up steam and has moved up from #10 last weekend to #7 after being added to more than 100 more theaters. Good word of mouth is getting around about this film as its domestic total is now sitting at $19 million for being in less than 2,000 theaters after four weekends.

Check out the full box office results below:
Ralph Breaks The Internet ($16,141,000)
Dr. Seuss’ The Grinch ($15,175,000)
Creed II ($10,322,515)
Fantastic Beasts: The Crimes of Grindelwald ($6,805,000)
Bohemian Rhapsody ($6,000,000)
Instant Family ($5,600,000)
The Possession of Hannah Grace ($3,935,000)
Robin Hood ($3,585,000)
Widows ($3,175,000)
Green Book ($3,100,000)

Next weekend, the break is over and genre movies will be in full swing. Mortal Engines, a CGI-heavy fantasy, will debut in 3,000 theaters. The Mule, a new drug-related drama directed and starring Clint Eastwood, will premiere in 2,400 theaters. And Sony’s new animated superhero film, Spider-Man: Into the Spider-Verse, will be hitting 3,400 theaters. It’s a pretty much a sure bet that Spider-Man will take that weekend, given its PG-rated superhero appeal and the big word-of-mouth it’s getting from critic circles.


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“Ralph” Reigns Again on Slow Box Office Weekend

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We’re currently in the eye of the fall movie storm. All is fairly quiet this weekend. The only new release was that of a small horror film, The Possession of Hannah Grace. So small, in fact, that it only came in at #7 for the weekend with a gross of $6.5 million. As such, few films moved very far from their spots. Last weekend’s winner, the animated adventure Ralph Breaks The Internet, was once again on top, even though it wasn’t a very strong second weekend of $25 million, a 54% drop. Still, the film has made $119 million so far and is well on its way to covering its $175 million budget.

Surprisingly jumping up a spot is Dr. Seuss’ The Grinch, the latest animated film Illumination Studios based on the classic Christmas book. The film jumped up from #3 to #2, making $17 million with the domestic gross now up to $203 million. Creed II, the sequel to the Rocky spinoff, took a step down for its second weekend, grossing $16 million with a domestic total of $81 million. It’s no surprise that the biggest drop of the weekend was Fantastic Beasts: The Crimes of Grindelwald, the sequel to the Harry Potter spinoff. Due to low critic ratings and poor fan reactions, the film tumbled 61% with its domestic gross sitting at $134 million.

Ivo Nandi stars as Moscow Referee and Florian Munteanu as Viktor Drago in CREED II,
a Metro Goldwyn Mayer Pictures and Warner Bros. Pictures film.
Credit: Metro Goldwyn Mayer Pictures / Warner Bros. Pictures
© 2018 Metro-Goldwyn-Mayer Pictures Inc. and Warner Bros. Entertainment Inc.
All Rights Reserved.

View the full top 10 box office winner for the weekend below.

Ralph Breaks The Internet ($25,756,000)
Dr. Seuss’ The Grinch ($17,730,000)
Creed II ($16,832,863)
Fantastic Beasts: The Crimes of Grindelwald ($11,200,000)
Bohemian Rhapsody ($8,100,000)
Instant Family ($7,150,000)
The Possession of Hannah Grace ($6,500,000)
Robin Hood ($4,700,000)
Widows ($4,400,000)
Green Book ($3,900,000)

Next weekend is so sparse with new content that the biggest release is going to be an anniversary screening of Schindler’s List, hitting 1,000 screens. It’s a good time to take in some smaller releases as Mary Queen of Scots, Ben is Back, and Vox Lux will be having limited releases. So it’s safe to expect a repeat of this weekend’s trends in the box office.


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“Ralph” Breaks The Box Office, “Creed” Close Behind

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Thanksgiving week is a time for family and there were plenty out to the theater last week for an animated family picture. Ralph Breaks The Internet, the Disney-animated sequel to 2012’s video game adventure comedy Wreck-It Ralph, came in at #1 for the weekend with $55 million and $84 million since its debut on Wednesday. This puts it above the Disney studio’s previous Thanksgiving hit Moana, which had a 5-day total of $82 million.

Not too far behind is Creed II, the sequel to the Rocky spin-off starring Michael B. Jordan and Sylvester Stallone. The boxing sequel took in $35 million for the weekend and $55 million since Wednesday. This is a stronger opening than the first film which came in at $29 million for the weekend.

And it was slim leftovers for the two other debuts. Robin Hood, the latest action remake of the classic tale, came in at #7 with only $9 million for the weekend, $14 million since Wednesday. Green Book, a drama about a black singer in the racist south of America, came in at #9 for its expanded week to make $5 million for the weekend and $7 million for its domestic total.

The Crimes of Grindelwald is not fairing to well for its second weekend. The Harry Potter spin-off has dropped to #4 with a domestic weekend gross of $30 million, a 52% drop. The film still hasn’t cleared its $200 million budget with a domestic gross of $117 million and it looks like it may never cross that mark as we head into December with more genre titles. Beating it out for #3 is Dr. Seuss’ The Grinch, the theatrically animated adaptation by Illumination, that is proving to have great legs coming into the holiday season. Worth noting at #10 is A Star Is Born, its domestic total now having crossed $191 million to make it one of the most profitable films of the year.

View the full top 10 box office results for the weekend below:

Ralph Breaks The Internet ($55,672,000)
Creed II ($35,293,000)
Dr. Seuss’ The Grinch ($30,210,000)
Fantastic Beasts: The Crimes of Grindelwald ($29,650,000)
Bohemian Rhapsody ($13,855,000)
Instant Family ($12,500,000)
Robin Hood ($9,125,000)
Widows ($7,955,000)
Green Book ($5,443,000)
A Star is Born ($3,005,000)

Next weekend is, well, it’s pretty dead. So dead that a ghost movie is occupying the rather blank spot. Possession of Hannah Grace, a modest horror production, will be arriving in under 2,000 theaters. So it’s fair to say you can expect Ralph to breakthrough for another weekend of success.


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