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Review: “Overlord” is a Gritty, Gory Genre Mash

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Overlord is one of those delicious genre blenders that delivers World War II action and viciously gruesome body horror into a beautifully bloody cocktail of entertainment. In the same way that From Dusk Till Dawn convinced you into watching one type of film before switching gears, so too does this war film that soon mutates into an equally as frightening tale of science experiments gone wrong. And although the subgenre of Nazi zombies is a fairly small one, this is by far one of the most fun.

Starting loud and explosive, making great use of IMAX, we’re quickly thrown into the action with an interesting ensemble of soldiers tasked with taking down a Nazi control tower in French territory. Private Boyce (Jovan Adepo) is fearful of combat and reasonably so when everyone is shooting at you when making a rocky landing and losing more than half his comrades. His methods of choosing the least lethal options clashes greatly with the ruthless Captain Ford, played by a stellar Wyatt Russell, son of Kurt Russell who has that same great level of grit in his performance. Meeting up with a handful of other soldiers, they secretly make their plans in a Nazi-occupied French village to assault the tower where the Nazis have established a base.

Though Boyce is prepared to take down the target, he’s not prepared for what he discovers underneath the base. The Nazis have a classic mad doctor hard at work on breeding the ultimate race of super soldiers. These monsters are not ready yet and Boyce, unfortunately, happens upon the stepping stones of mangled corpses, howling undead, and decapitated heads begging for death. Of course, this is all helmed by a nervous mad scientist, Dr. Schmidt (Erich Redman), and a sneeringly sinister overseeing Nazi Officer Wafner (Pilou Asbæk).

While the Nazi experiments are in desperate need of improvement, Overlord shoots straight for the guts with gusto when it comes to the action and terror. The US soldiers are portrayed as a lot of colorful characters, including the nasally joking Tibbet (John Magaro) that provides vital comic support. The Nazis are seen as unhinged evil, never wasting an opportunity to shoot a civilian in the streets or rape a woman when she is cornered. And the monsters all feel like brilliant works of terrifying body horror, where necks snap open and chunks of flesh fall off the face. Consider how when the French civilian of Chloe (Mathilde Ollivier) gets in on the action; she quickly goes from fearful sister looking after her ailing aunt to a flamethrower-touting badass.

But what’s most remarkable about all this is how it never feels the need to blatantly wink with its theatrics, shying away from trying too hard to seem badass. This movie is badass and it knows enough not to amp up the humor when setting undead zombies aflame or watching someone’s body contort in unnatural ways. The tongue is buried firmly in cheek, chewing on its meaty set pieces of blood and explosions to stand firm without a knowing nod to the audience. Such earnest seems almost rare in films that want to replicate that grindhouse flavor of filmmaking.

Overlord more than earns its brutal showdown of fierce fights and abundance of firey blasts, putting in all the grunt work of a capable war and horror film. With the relatively fresh direction of Julius Avery, it’s a film that is smart enough to have faith in its grit of the disturbing elements from both genres that it never feels the need to spice it up too high with self-consciousness. And in its own weird way, it’s serious and subtle enough that we can buy into the fantasy of a Nazi zombie story told straight with character and cunning. After all, we’ve already had the over-the-top angle with Dead Snow. The time has finally come for this subgenre to be taken seriously. Or about as seriously as it can be taken.

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Izzy

Movie Magic: The De-Aging Technique of The Irishman

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Have you read Izzy yet? If so, you know that Izzy makes the apples that give the Gods their youth and immortality. It also seems Robert De Niro discovered one of Izzy’s apples too… In Martin Scorsese’s upcoming biographical film, he stars as Frank “The Irishman” Sheeran, a labor union leader and alleged hitman for the Bufalino crime family. The trailer for the movie, which will premieres NEXT WEEK (!), also features a “de-aged” De Niro. “We’re so used to watching them as the older faces,” Scorsese said in an interview on the A24 podcast. “Does it change the eyes at all? …If that’s the case, what was in the eyes that I liked? Was it intensity? Was it gravitas? Was it threat?…How do we get that? I don’t know.” Some might consider this magic and I for one can’t wait to see the impact of Izzy’s apples on screen for myself. 😉

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“Captain Marvel” Retains Top Slot at the Box Office

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It’s no surprise that in its second weekend, the first Marvel Cinematic Universe of 2019 is still riding high. Captain Marvel, the latest in the MCU with Brie Larson starring as the lead, generated another $69 million over the weekend, placing its domestic total at $266 million. Tallying up the international box office, the film’s global total to date is $760 million. Despite the online controversy, the film is looking to be another strong box office smash for Disney and Marvel.

As for the premieres for the weekend, and there were plenty, they were all over the map. Just below Captain Marvel was the animated adventure Wonder Park, bringing in $16 million, another film with controversy when the director’s name was removed from the picture after sexual harassment charges. Five Feet Apart, the dying teen drama about a romance amid cystic fibrosis, only came in at #3 with a weekend gross of $13 million. And debuting the lowest in the top 10 for debuts was Captive State, a sci-fi dystopian tale, only making $3 million. The film debuted so low the little film No Manches Frida 2 was able to sneak about it at #6 with a gross of $3.8 million.

Drops were fairly low all around for the returning films, mostly because Captain Marvel was dominating the previous weekend. The only milestone worth noting is that The LEGO Movie 2, after six weeks at the box office, finally cracked $100 million. And the sun is now setting on Green Book’s post-Oscar run by coming in at #10 for the final weekend of its top 10 run over the past few weeks.

View the full top ten weekend box office results below:

Captain Marvel ($69,318,000)

Wonder Park ($16,000,000)

Five Feet Apart ($13,150,000)

How to Train Your Dragon: The Hidden World ($9,345,000)

Tyler Perry’s A Madea Family Funeral ($8,085,000)

No Manches Frida 2 ($3,894,000)

Captive State ($3,163,000)

The LEGO Movie 2: The Second Part ($2,135,000)

Alita: Battle Angel ($1,900,000)

Green Book ($1,277,000)

Next weekend, Captain Marvel may very well have some competition when Jordan Peele’s new horror film Us hits over 3,600 theaters.

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“Dragon” Continues To Soar, “Funeral” Close Behind, “Green Book” Back

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With little competition for the weekend, How to Train Your Dragon: The Hidden World, the third in the animated fantasy saga, was able to secure the box office once more. In its second weekend, the animated epic made $30 million to push its domestic total to $97 million. So far the film has done about the same as the previous film and is on track to stay in the top 10 for a few more weeks in March.

Debuts this weekend were small with one big exception. Tyler Perry’s latest Madea film, A Madea Family Funeral, naturally made a relatively big splash with its dedicated audience. Starting at #2, the film made $27 million for its first weekend. No word on the budget yet but it’s most likely on a budget as most Tyler Perry productions are, so it’s safe to call this a success, especially for debuting with a box office so close to Dragon.

The rest of the premieres were not as strong at all. Greta, the new thriller starring Chloe Moretz, debuted all the way down at #8 with $4.5 million box office. To be fair, however, the film was in a constant battle for its spot as three other films also reported earnings around $4 million for the weekend. Of note, Green Book, fresh off winning the Academy Award for Best Picture one weekend ago, splashed back into more theaters to arise even higher in the top 10 with its domestic total now sitting at $73 million. Don’t count on it remaining there long as bigger blockbusters will be swooping as we plow through the last remnants of winter movies.

Check out the full listing of the top 10 box office weekend results below:

How to Train Your Dragon: The Hidden World ($30,046,000)

Tyler Perry’s A Madea Family Funeral ($27,050,000)

Alita: Battle Angel ($7,000,000)

The LEGO Movie 2: The Second Part ($6,615,000)

Green Book ($4,711,000)

Fighting With My Family ($4,691,284)

Isn’t it Romantic ($4,645,000)

Greta ($4,585,000)

What Men Want ($2,700,000)

Happy Death Day 2U ($2,516,000)

Next weekend is once again all about Marvel as their latest superhero solo film, Captain Marvel, will be appearing in 4,100 theaters.

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