Connect with us

Movie News

Review: “Alita: Battle Angel” Fights Faithful, Dark, Fun

Published

on

When it comes to films based on Japanese anime and manga, they have a record far more stumbling than that of video game movies. These types of movies have been plagued with everything from confused direction (Dragonball Evolution) to cheap translations (Fist of the North Star) to awkward whitewashing (Ghost in the Shell). But Alita: Battle Angel may just be the first film to break that mold, at least from a translation point.

One would hope that the screenplay writer James Cameron would put some dedication into this project he had been talking about making happen for nearly two decades. Surprisingly, he matches the source material well. The world is perfectly defined with a cyberpunk dystopia of the far future, the elites residing in a metropolis of the sky while the poor cyborgs struggle on the surface world of garbage. Also present is the grim atmosphere which I questioned if Cameron would delve into, given that the original story was a depressing one of pathos, amputation, decapitation, bifurcation, and the murdering of a dog.

Keean Johnson (left) and Rosa Salazar (center) in Twentieth Century Fox’s ALITA: BATTLE ANGEL. Photo Credit: Courtesy Twentieth Century Fox.

The film has all of this in telling the story of Alita (Rosa Salazar), a mysterious teenage cyborg found with very little of her body in a heap of dumped robot parts. Determined to rebuild her and give her a new life as a teenage girl is Doctor Ido (Christoph Waltz), committed to being a charity of a cybernetics doctor when so few can afford so much in artificial limbs they need. Alita is a kind girl, made all the more sweet with those artificially giant eyes added digitally. While this may really give her the look of an uncanny valley creation in hopes of replicating that anime style, it works well in defining Alita as both an artificial being and fitting in with the odd nature of cyborg society.

There’s a progressive build of Alita discovering both the world around her and uncovering her cloudy past. She takes as much of an interest in the fast-paced violent sport of Motorball as she does the scrappy young Hugo (Keean Johnson), potential boyfriend material. But she’ll soon come to learn that not everybody is who they appear to be, as both Hugo and Ido have secrets they haven’t revealed as the web of corruption in the city runs deep. All of it relates back to the giant floating paradise in the clouds that everybody shoots for, including the smug gangster leader Vector (Mahershala Ali) who acts as a puppet for those above, sometimes literally. Everyone wants to make it to the top and they’re willing to break any rule to get there.

Rosa Salazar (Alita) and Keean Johnson (Hugo) star in Twentieth Century Fox’s ALITA: BATTLE ANGEL. Photo Credit: Courtesy Twentieth Century Fox.

Of course, it’s no shock that Alita is the girl to shake things up and fight the system. This is where director Robert Rodriguez takes the helm of this project and gives it his own flavor of slick and violent action. He really pushes that PG-13 rating to the limit of how much you can get away with in dicing up cyborgs, staging intimidating barroom brawls and vicious battles on a giant racetrack. Even for a director known for plenty of violence in his films, Rodriguez still manages to cram in a number of ouch-worthy moments where characters are sliced in half or have their faces chopped at an angle. Also present is Rodriguez’s trademark humor that manages to fit in snugly amid the more tragic parts of this cyberpunk tale.

Alita still has a few kinks in the armor with some clunky bits of dialogue and emotions that run a little flat here and there. But I must admit I was surprised with how well this film holds together for being so ambitious in pursuing such a story, sticking to its essentials while still giving off a vibe all its own. I recall far back as being a teenager when hearing about Cameron’s plan to adopt the original manga into a live-action movie and doubting it would ever see the light of day, especially with his crowded schedule and the lacking adaptations over the years. But, lo and behold, I’m astounded to not only see the movie made but that it’s also well-made and true to its roots. A solid picture for fans of the manga/anime and a pleasing cyberpunk tale for newcomers of a teenage cyborg kicking metallic butts.

Rosa Salazar stars as Alita in Twentieth Century Fox’s ALITA: BATTLE ANGEL. Photo Credit: Courtesy Twentieth Century Fox.

Continue Reading

Movie News

“Captain Marvel” Retains Top Slot at the Box Office

Published

on

It’s no surprise that in its second weekend, the first Marvel Cinematic Universe of 2019 is still riding high. Captain Marvel, the latest in the MCU with Brie Larson starring as the lead, generated another $69 million over the weekend, placing its domestic total at $266 million. Tallying up the international box office, the film’s global total to date is $760 million. Despite the online controversy, the film is looking to be another strong box office smash for Disney and Marvel.

As for the premieres for the weekend, and there were plenty, they were all over the map. Just below Captain Marvel was the animated adventure Wonder Park, bringing in $16 million, another film with controversy when the director’s name was removed from the picture after sexual harassment charges. Five Feet Apart, the dying teen drama about a romance amid cystic fibrosis, only came in at #3 with a weekend gross of $13 million. And debuting the lowest in the top 10 for debuts was Captive State, a sci-fi dystopian tale, only making $3 million. The film debuted so low the little film No Manches Frida 2 was able to sneak about it at #6 with a gross of $3.8 million.

Drops were fairly low all around for the returning films, mostly because Captain Marvel was dominating the previous weekend. The only milestone worth noting is that The LEGO Movie 2, after six weeks at the box office, finally cracked $100 million. And the sun is now setting on Green Book’s post-Oscar run by coming in at #10 for the final weekend of its top 10 run over the past few weeks.

View the full top ten weekend box office results below:

Captain Marvel ($69,318,000)

Wonder Park ($16,000,000)

Five Feet Apart ($13,150,000)

How to Train Your Dragon: The Hidden World ($9,345,000)

Tyler Perry’s A Madea Family Funeral ($8,085,000)

No Manches Frida 2 ($3,894,000)

Captive State ($3,163,000)

The LEGO Movie 2: The Second Part ($2,135,000)

Alita: Battle Angel ($1,900,000)

Green Book ($1,277,000)

Next weekend, Captain Marvel may very well have some competition when Jordan Peele’s new horror film Us hits over 3,600 theaters.

Continue Reading

Movie News

“Dragon” Continues To Soar, “Funeral” Close Behind, “Green Book” Back

Published

on

With little competition for the weekend, How to Train Your Dragon: The Hidden World, the third in the animated fantasy saga, was able to secure the box office once more. In its second weekend, the animated epic made $30 million to push its domestic total to $97 million. So far the film has done about the same as the previous film and is on track to stay in the top 10 for a few more weeks in March.

Debuts this weekend were small with one big exception. Tyler Perry’s latest Madea film, A Madea Family Funeral, naturally made a relatively big splash with its dedicated audience. Starting at #2, the film made $27 million for its first weekend. No word on the budget yet but it’s most likely on a budget as most Tyler Perry productions are, so it’s safe to call this a success, especially for debuting with a box office so close to Dragon.

The rest of the premieres were not as strong at all. Greta, the new thriller starring Chloe Moretz, debuted all the way down at #8 with $4.5 million box office. To be fair, however, the film was in a constant battle for its spot as three other films also reported earnings around $4 million for the weekend. Of note, Green Book, fresh off winning the Academy Award for Best Picture one weekend ago, splashed back into more theaters to arise even higher in the top 10 with its domestic total now sitting at $73 million. Don’t count on it remaining there long as bigger blockbusters will be swooping as we plow through the last remnants of winter movies.

Check out the full listing of the top 10 box office weekend results below:

How to Train Your Dragon: The Hidden World ($30,046,000)

Tyler Perry’s A Madea Family Funeral ($27,050,000)

Alita: Battle Angel ($7,000,000)

The LEGO Movie 2: The Second Part ($6,615,000)

Green Book ($4,711,000)

Fighting With My Family ($4,691,284)

Isn’t it Romantic ($4,645,000)

Greta ($4,585,000)

What Men Want ($2,700,000)

Happy Death Day 2U ($2,516,000)

Next weekend is once again all about Marvel as their latest superhero solo film, Captain Marvel, will be appearing in 4,100 theaters.

Continue Reading

Movie News

Review: “Captain Marvel” is a Solidly Sensational Sci-Fi Adventure

Published

on

Captain Marvel joins the ranks of the Marvel Cinematic Universe in a much different way. She slides into the MCU via a twisty sci-fi adventure of the 1990s, before the Avengers were formed. And though the film does serve as a strong bridge picture that answers a few more questions about the Marvel universe, the film quickly becomes its own thing and gives its hero a real identity as the powerful addition to the superhero ensemble.

Brie Larson plays Carol Danvers, a woman not sure if she’s a human pilot of Earth or a soldier of the Kree empire’s Starforce. There’s little time to explore these conflicting visions she’s having when there’s special energy powers to control and a war being waged against the shape-shifting Skrull alien creatures. A detour to 1990s Earth gives her a bit of time to find out more while also hunting down some more Skrulls, leading to some interesting scenarios when combatting aliens that could look like old ladies.

Marvel Studios’ CAPTAIN MARVEL..Captain Marvel (Brie Larson) ..Photo: Film Frame..©Marvel Studios 2019

Carol’s landing on Earth leads to treading down familiar Marvel timeline territory as well as evoking plenty of dated 1990s bits. What started drawing me into the picture was how the film holds itself back from the obvious. The 1990s setting is used for some gags of video stores and Windows 95, sure, but never goes the extra mile of becoming an aggravating reference fest, keeping a certain vibe the way Guardians of the Galaxy embraced the 1970s and 1980s. And just like that film, there’s a nostalgic soundtrack to boot, with choice tracks for just the right cue.

Samuel L. Jackson pops up in the film as a younger Nick Fury with his two eyes still intact. He teams up with Carol in her intergalactic spy adventure and thankfully never goes to the booming lengths he was known for that decade. And the filmmakers could have easily made this younger Fury go full Die Hard 3 or Pulp Fiction but he never does, always keeping that cool persona he has been known for in the Marvel Cinematic Universe.

Marvel Studios’ CAPTAIN MARVEL..L to R: Att-Lass (Algenis Perez Soto), Captain Marvel (Brie Larson) and Minn-Erva (Gemma Chan)..Photo: Film Frame..©Marvel Studios 2019

But the one aspect that is never shunned and built up grandly is the aspect of female empowerment. Danvers is established as a woman who doesn’t have a clear identity or mindful nature of galactic politics and has to build herself up when she realizes she may be a very powerful pawn in a big game of intergalactic chess. Her memories are that of always being told to back off from non-traditional activities for girls and, sure enough, she rises up to become the smirking and energy-shooting hero when the final piece of her character puzzle is pieced together. It’s just unfortunate that the film spends so much time doing the building amid a twisty sci-fi spy story that Brie never gets a moment to shine as brightly as she could, despite a very enthusiastic third-act closer.

If we’re being blunt, no, Captain Marvel doesn’t quite have the same gravity to be a cultural milestone of a comic book movie. Where others have pointed to Black Panther as not the first the most insightful and cultural of black-led superhero movies, I doubt many will look towards Captain Marvel as the grandest of female-led comic book movies, making its motives known with the power and subtlety of a supernova. But, in terms of what the film is aiming towards, it doesn’t have to prove anything to anyone and that’s perhaps the point. I just wish that Captain Marvel’s astounding powers to destroy starships and aliens had a much bigger punch for a picture that wants to obliterate the glass ceiling and merely cuts a narrow hole within the MCU. It’s a nice hole, mind you, and still weaves a capable and compelling sci-fi adventure with a surprisingly more engaging finale than most Marvel solos.

Continue Reading

Find Us On Facebook

More

Movie News7 months ago

“Captain Marvel” Retains Top Slot at the Box Office

It’s no surprise that in its second weekend, the first Marvel Cinematic Universe of 2019 is still riding high. Captain...

Movie News8 months ago

“Dragon” Continues To Soar, “Funeral” Close Behind, “Green Book” Back

With little competition for the weekend, How to Train Your Dragon: The Hidden World, the third in the animated fantasy...

Movie News8 months ago

Review: “Captain Marvel” is a Solidly Sensational Sci-Fi Adventure

Captain Marvel joins the ranks of the Marvel Cinematic Universe in a much different way. She slides into the MCU...

Movie News8 months ago

“Captain Marvel” Makes a Heroic Box Office Debut

Despite online controversy, another Marvel Comics movie has debuted to another astonishing figure. While not as monumental as last year’s...

Movie News9 months ago

“Alita” Fights For First, Romance and Horror Behind in Box Office

Valentine’s Day weekend wasn’t exactly the weekend where the romantic comedy took the top spot. But, surprise, the top spots...

Movie News9 months ago

Review: “How to Train Your Dragon: The Hidden World” Tumbles With Too Much

The saga’s plucky hero and leader Hiccup gives the standard introduction to his Viking village of Burke, now toppling and...

Movie News9 months ago

“Dragon” Dominates Last Box Office Weekend of February

2019 so far has been fairly low in the box office thus far. Few new debuts have had as large...

Movie News9 months ago

Review: “Happy Death Day 2U” Goes From Clever to Confounding

The sequel to 2017’s fresh and giddy horror concept of Happy Death Day comes crashing in with the least remarkable...

Movie News9 months ago

“Lego” Makes Little Splash at #1 For Weekend

As we head into February, a larger crop of films are headed to the theater to take the top spot...

Movie News9 months ago

Review: “The LEGO Movie 2” Builds More of the Same

There’s was such an inspiring surprise behind 2014’s The LEGO Movie that resculpted the landscape of property-based movies. LEGO already...

Trending