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Movie Review: Thor: Ragnarok is a Trippy, Neon Delight of Fantasy

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“The only thing that makes sense here is that nothing makes sense.”
So sayeth a rock monster to Thor on a planet of gladiator combat. And, yet, there is some sense to the technicolor wonder of Thor: Ragnarok in how it manages to soar with flying colors past its lesser predecessors. I always liked the character of Thor, thanks mostly in part to Chris Hemsworth’s charming personality and strength, but still felt as though his films were underutilized, offering mere glimpses of the full potential of the hero and his many worlds. Finally, there’s a film that not only explores the deeper depths of the nine realms but has fun with the material in a focused and surprising story that takes place almost entirely off Earth.

thor movie posterAll is not well in the fantasy world of Asgard. Thor returns home to discover that Odin (Anthony Hopkins) has gone missing, replaced by Thor’s masquerading trickster of a brother, Loki (Tom Hiddleston). The siblings put their feud behind them, mostly, to find their father on Earth (or Midgard as it’s known around Asgard), warning them of a new threat on the horizon. The great evil threatening the kingdom this time is Hela (Cate Blanchett), a sinister sorceress with a family tie to Odin. Despite her ability to keep up with the quips, she’s your standard evil lady wizard, complete with a green motif and thorny helmet. Her hand-to-hand combat skills are not too shabby though, so she at least does a little more than outstretch her arms to zap her victims.

But there’s thankfully a better villain for the majority of the film. When Thor and Loki are knocked out of Asgard’s orbit, they find themselves on a high-tech junker planet that seems like the dumpster of the 1980s. All tech is rustic, all color is bold, all outfits garish, all faces painted and a 1980s style T-shirt is there for some reason. The planet is controlled by the Grand Master, played with incredible exuberance by Jeff Goldblum. Dressed like David Bowie’s weird uncle, the Grand Master’s favorite pastime, aside from being a DJ of 80s synth, is pitting galactic warriors against each other in arena battles for his entertainment.

The familiar ally of Hulk (Mark Ruffalo) is found on this planet, apparently more comfortable to speak with and understand since his mysterious disappearance in Avengers: Age of Ultron. This may be the first film depiction of the Hulk that portrays the character with more wit and charm than the standard “Hulk smash” utterances and massive displays of intimidation. Hemsworth and Ruffalo have some fantastic chemistry and appear as the perfect pair for an environment that requires brute force and technological smarts. They will have to fight each other at one point, but also find the right spaceship to fly through the correct wormhole, which just so happens to be named the devil’s anus.

Another ally found on the planet is Valkyrie (Tessa Thompson), the member of a lost military of Asgard that has turned her life over to bounty hunting. She has a personal vendetta against Hela, having lost her entire army to the sorceress’s powers, but she needs that extra confidence boost to put down the bottle and pick up a sword again. Outside of her backstory, Valkyrie is mostly your standard femme fatale warrior with an empowerment mantra and her obligatory scene to saunter into battle with blades drawn.

Unlike previous Thor films that felt all over the place, Ragnarok finds a pleasing balance between a story that never veers wildly off course, yet still takes a few chances here and there. Hela’s conquering of Asgard is nothing all that spectacular, but it holds firm thanks to the additions of the side-switching Skurge (Karl Urban) and the sanctuary guarding Heimdall (Idris Elba). There’s plenty of humor, including the most hilarious of callbacks to the first Avengers movie, but it comes more naturally and through the story, rather than stopping the plot to make an awkward jab or satirical reference.

Director Taika Waititi has given Thor a fantastic makeover. There’s a distinct and stylish 1980s vibe to the sci-fi weirdness, made possible by the colorful cinematography of Javier Aguirresarobe and the synth score of Mark Mothersbaugh. There’s exuberant weirdness to the realms that always felt absent from the more drab predecessors. These additions help elevate the film past its superhero requirements of an obligatory third-act fight that becomes confusingly assembled, despite taking place on a narrow bridge. There’s enough fun, giddiness, and invention to overlook how Thor’s grand power of thunder is never given much explanation for its rules. And I’d rather not get into the pointless debate about how Thor can control the weather. I’m more content to enjoy the film’s candy-coated craziness of a hammer-wielding god bashing alien spaceships and teaming up with the Hulk to stop an evil sorceress.

[author title=”About the Author” image=”http://popstermedia.com/wp-content/uploads/2015/07/mark_mcpherson-300×221-150×150.jpg”]Movie Reviewer Mark McPherson has been all about movies since working at a video store in his youth. His talents range from video editing to animation to web development, but movies have always been his passion to write about.[/author]


Box Office

“Ralph” and “Grinch” Steal Slow Box Office Weekend

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Aside from the re-release of Schindler’s List, there is nothing new in the box office for the weekend. Seriously, there’s nothing. And I thought last weekend was slow. With no new films in the running, it’s pretty much a repeat as the box office takes a snow day.

Once again, no surprise, Ralph Breaks The Internet is still on top. In its third weekend, the animated Disney adventure grossed $16 million for the weekend and $140 million for its domestic total. It still has a ways to go to top its $175 million but it should be closing in soon. Also no surprise following closely behind is Dr. Seuss’ The Grinch, the computer-animated holiday comedy based on the book by Dr. Seuss. After five weekends, it’s still in the top 5, making another $15 million for the weekend and $223 million domestic total. Worth noting is that, despite this weekend being slow, the movie only took a 15% dip from last weekend. And you can bet it’ll be sticking around for the rest of December.

As for everything else, very few films moved from their spots with one exception. Green Book, the historical racial drama, is picking up steam and has moved up from #10 last weekend to #7 after being added to more than 100 more theaters. Good word of mouth is getting around about this film as its domestic total is now sitting at $19 million for being in less than 2,000 theaters after four weekends.

Check out the full box office results below:
Ralph Breaks The Internet ($16,141,000)
Dr. Seuss’ The Grinch ($15,175,000)
Creed II ($10,322,515)
Fantastic Beasts: The Crimes of Grindelwald ($6,805,000)
Bohemian Rhapsody ($6,000,000)
Instant Family ($5,600,000)
The Possession of Hannah Grace ($3,935,000)
Robin Hood ($3,585,000)
Widows ($3,175,000)
Green Book ($3,100,000)

Next weekend, the break is over and genre movies will be in full swing. Mortal Engines, a CGI-heavy fantasy, will debut in 3,000 theaters. The Mule, a new drug-related drama directed and starring Clint Eastwood, will premiere in 2,400 theaters. And Sony’s new animated superhero film, Spider-Man: Into the Spider-Verse, will be hitting 3,400 theaters. It’s a pretty much a sure bet that Spider-Man will take that weekend, given its PG-rated superhero appeal and the big word-of-mouth it’s getting from critic circles.


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Box Office

“Ralph” Reigns Again on Slow Box Office Weekend

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We’re currently in the eye of the fall movie storm. All is fairly quiet this weekend. The only new release was that of a small horror film, The Possession of Hannah Grace. So small, in fact, that it only came in at #7 for the weekend with a gross of $6.5 million. As such, few films moved very far from their spots. Last weekend’s winner, the animated adventure Ralph Breaks The Internet, was once again on top, even though it wasn’t a very strong second weekend of $25 million, a 54% drop. Still, the film has made $119 million so far and is well on its way to covering its $175 million budget.

Surprisingly jumping up a spot is Dr. Seuss’ The Grinch, the latest animated film Illumination Studios based on the classic Christmas book. The film jumped up from #3 to #2, making $17 million with the domestic gross now up to $203 million. Creed II, the sequel to the Rocky spinoff, took a step down for its second weekend, grossing $16 million with a domestic total of $81 million. It’s no surprise that the biggest drop of the weekend was Fantastic Beasts: The Crimes of Grindelwald, the sequel to the Harry Potter spinoff. Due to low critic ratings and poor fan reactions, the film tumbled 61% with its domestic gross sitting at $134 million.

Ivo Nandi stars as Moscow Referee and Florian Munteanu as Viktor Drago in CREED II,
a Metro Goldwyn Mayer Pictures and Warner Bros. Pictures film.
Credit: Metro Goldwyn Mayer Pictures / Warner Bros. Pictures
© 2018 Metro-Goldwyn-Mayer Pictures Inc. and Warner Bros. Entertainment Inc.
All Rights Reserved.

View the full top 10 box office winner for the weekend below.

Ralph Breaks The Internet ($25,756,000)
Dr. Seuss’ The Grinch ($17,730,000)
Creed II ($16,832,863)
Fantastic Beasts: The Crimes of Grindelwald ($11,200,000)
Bohemian Rhapsody ($8,100,000)
Instant Family ($7,150,000)
The Possession of Hannah Grace ($6,500,000)
Robin Hood ($4,700,000)
Widows ($4,400,000)
Green Book ($3,900,000)

Next weekend is so sparse with new content that the biggest release is going to be an anniversary screening of Schindler’s List, hitting 1,000 screens. It’s a good time to take in some smaller releases as Mary Queen of Scots, Ben is Back, and Vox Lux will be having limited releases. So it’s safe to expect a repeat of this weekend’s trends in the box office.


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“Ralph” Breaks The Box Office, “Creed” Close Behind

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Thanksgiving week is a time for family and there were plenty out to the theater last week for an animated family picture. Ralph Breaks The Internet, the Disney-animated sequel to 2012’s video game adventure comedy Wreck-It Ralph, came in at #1 for the weekend with $55 million and $84 million since its debut on Wednesday. This puts it above the Disney studio’s previous Thanksgiving hit Moana, which had a 5-day total of $82 million.

Not too far behind is Creed II, the sequel to the Rocky spin-off starring Michael B. Jordan and Sylvester Stallone. The boxing sequel took in $35 million for the weekend and $55 million since Wednesday. This is a stronger opening than the first film which came in at $29 million for the weekend.

And it was slim leftovers for the two other debuts. Robin Hood, the latest action remake of the classic tale, came in at #7 with only $9 million for the weekend, $14 million since Wednesday. Green Book, a drama about a black singer in the racist south of America, came in at #9 for its expanded week to make $5 million for the weekend and $7 million for its domestic total.

The Crimes of Grindelwald is not fairing to well for its second weekend. The Harry Potter spin-off has dropped to #4 with a domestic weekend gross of $30 million, a 52% drop. The film still hasn’t cleared its $200 million budget with a domestic gross of $117 million and it looks like it may never cross that mark as we head into December with more genre titles. Beating it out for #3 is Dr. Seuss’ The Grinch, the theatrically animated adaptation by Illumination, that is proving to have great legs coming into the holiday season. Worth noting at #10 is A Star Is Born, its domestic total now having crossed $191 million to make it one of the most profitable films of the year.

View the full top 10 box office results for the weekend below:

Ralph Breaks The Internet ($55,672,000)
Creed II ($35,293,000)
Dr. Seuss’ The Grinch ($30,210,000)
Fantastic Beasts: The Crimes of Grindelwald ($29,650,000)
Bohemian Rhapsody ($13,855,000)
Instant Family ($12,500,000)
Robin Hood ($9,125,000)
Widows ($7,955,000)
Green Book ($5,443,000)
A Star is Born ($3,005,000)

Next weekend is, well, it’s pretty dead. So dead that a ghost movie is occupying the rather blank spot. Possession of Hannah Grace, a modest horror production, will be arriving in under 2,000 theaters. So it’s fair to say you can expect Ralph to breakthrough for another weekend of success.


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