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Movie Review: ‘Blade Runner 2049’ Is an Immersive, Challenging Sci-fi Masterpiece

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Blade Runner 2049 Movie Review MovieSpoon.com

[dropcap]T[/dropcap]here was a strange sensation as I exited the theater. It was that rare feeling when you don’t feel as though you’ve left the theater, but left a world. Blade Runner 2049 is not just a return to the familiar and atmospheric world of a dark and gritty future, but a deeper dive into another world within another world.

Blade Runner 2049 Movie Review MovieSpoon.com

And we’re back!

As with all Denis Villeneuve directed films, this is a sci-fi world of ideas and philosophies as towering as the skyscrapers within the futuristic Los Angeles. He doesn’t waste our time and he doesn’t hold our hand. Villeneuve is a strong enough director to stand back and let Blade Runner’s style and philosophy wash over us.

There’s a challenge with this review. Before the screening began, we were presented with a statement from director Denis Villeneuve to not spoil much of the movie. After the film, we were given specifics on what we were not allowed to spoil, including the very premise of the characters. The long list inspired some laughter out of the press for the spoiler laundry list and how restricting it was. But I respect Villeneuve as a director and will comply with his wishes to keep this review free of the major reveals.

So what can I talk about if I can’t describe much of the plot? Plenty.

The world of Blade Runner appears larger and more developed than before without drastically redefining the wheel. There are now holograms, including giant depictions of prostitute holograms that stroll around buildings and single out potential customers for companionship. Holograms have advanced to the point of being artificial intelligence that can be used as living companions. Ethical questions are raised with such a concept, but there can’t be too much ethics left if brothels can advertise active sex from store windows of frosted glass.

Blade Runner 2049 Movie Review MovieSpoon.com

How much is too much?

The building interiors cover a wide range of styles, from the grimy look of urban apartments to the tranquil beauty of designer industrial offices. One of my favorite sets from the original was Tyrell’s meeting room of light reflecting off of water against the evening sun. That same aesthetic is present again, but in much different styles this time that make the film more inspired than repetitive. Other amazing and original locations include a junkyard region with child labor and a radiated city where statues of vice stand tall, broken and dusty.

Related: Movie Review: ‘Battle of the Sexes’ Is a Mixed Victory

Replicants are still present in 2049, this time developed by the evil industrialist Wallace (Jared Leto). He has taken over where Doctor Elden Tyrell left off, still breeding the synthetic beings to be perfect creations to serve man. As seen in the promotional short film, Wallace has promised he’ll do the Replicants right this time, ensuring there will be no problems with rogue thoughts and better believability. He’s made great strides for his Replicant producing company that seems to occupy even larger towers than Tyrell’s, but still isn’t satisfied until he’s made those last few stepping stones to godhood.

Blade Runner 2049 Movie Review MovieSpoon.com

Jared Leto in ‘Blade Runner 2049.’

Not much can be said about Ryan Gosling, Harrison Ford or the rest of the cast without revealing some major spoilers, some of which occur within the first few minutes of the film. What can be said is that Gosling does a stellar job playing the detective that slowly pulls back the clues and finds himself bitterly frustrated when confronted with what he finds. Ford brings his usual grit to the table as an aged man good with his fists, still capable of as much bite as his bark. He reprises the role of Deckard as a man more intelligent and uneasy and rendered vulnerable by the past.

Read more for the rest of the Blade Runner 2049 movie review:

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Box Office

“Ralph” and “Grinch” Steal Slow Box Office Weekend

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Aside from the re-release of Schindler’s List, there is nothing new in the box office for the weekend. Seriously, there’s nothing. And I thought last weekend was slow. With no new films in the running, it’s pretty much a repeat as the box office takes a snow day.

Once again, no surprise, Ralph Breaks The Internet is still on top. In its third weekend, the animated Disney adventure grossed $16 million for the weekend and $140 million for its domestic total. It still has a ways to go to top its $175 million but it should be closing in soon. Also no surprise following closely behind is Dr. Seuss’ The Grinch, the computer-animated holiday comedy based on the book by Dr. Seuss. After five weekends, it’s still in the top 5, making another $15 million for the weekend and $223 million domestic total. Worth noting is that, despite this weekend being slow, the movie only took a 15% dip from last weekend. And you can bet it’ll be sticking around for the rest of December.

As for everything else, very few films moved from their spots with one exception. Green Book, the historical racial drama, is picking up steam and has moved up from #10 last weekend to #7 after being added to more than 100 more theaters. Good word of mouth is getting around about this film as its domestic total is now sitting at $19 million for being in less than 2,000 theaters after four weekends.

Check out the full box office results below:
Ralph Breaks The Internet ($16,141,000)
Dr. Seuss’ The Grinch ($15,175,000)
Creed II ($10,322,515)
Fantastic Beasts: The Crimes of Grindelwald ($6,805,000)
Bohemian Rhapsody ($6,000,000)
Instant Family ($5,600,000)
The Possession of Hannah Grace ($3,935,000)
Robin Hood ($3,585,000)
Widows ($3,175,000)
Green Book ($3,100,000)

Next weekend, the break is over and genre movies will be in full swing. Mortal Engines, a CGI-heavy fantasy, will debut in 3,000 theaters. The Mule, a new drug-related drama directed and starring Clint Eastwood, will premiere in 2,400 theaters. And Sony’s new animated superhero film, Spider-Man: Into the Spider-Verse, will be hitting 3,400 theaters. It’s a pretty much a sure bet that Spider-Man will take that weekend, given its PG-rated superhero appeal and the big word-of-mouth it’s getting from critic circles.


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Box Office

“Ralph” Reigns Again on Slow Box Office Weekend

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We’re currently in the eye of the fall movie storm. All is fairly quiet this weekend. The only new release was that of a small horror film, The Possession of Hannah Grace. So small, in fact, that it only came in at #7 for the weekend with a gross of $6.5 million. As such, few films moved very far from their spots. Last weekend’s winner, the animated adventure Ralph Breaks The Internet, was once again on top, even though it wasn’t a very strong second weekend of $25 million, a 54% drop. Still, the film has made $119 million so far and is well on its way to covering its $175 million budget.

Surprisingly jumping up a spot is Dr. Seuss’ The Grinch, the latest animated film Illumination Studios based on the classic Christmas book. The film jumped up from #3 to #2, making $17 million with the domestic gross now up to $203 million. Creed II, the sequel to the Rocky spinoff, took a step down for its second weekend, grossing $16 million with a domestic total of $81 million. It’s no surprise that the biggest drop of the weekend was Fantastic Beasts: The Crimes of Grindelwald, the sequel to the Harry Potter spinoff. Due to low critic ratings and poor fan reactions, the film tumbled 61% with its domestic gross sitting at $134 million.

Ivo Nandi stars as Moscow Referee and Florian Munteanu as Viktor Drago in CREED II,
a Metro Goldwyn Mayer Pictures and Warner Bros. Pictures film.
Credit: Metro Goldwyn Mayer Pictures / Warner Bros. Pictures
© 2018 Metro-Goldwyn-Mayer Pictures Inc. and Warner Bros. Entertainment Inc.
All Rights Reserved.

View the full top 10 box office winner for the weekend below.

Ralph Breaks The Internet ($25,756,000)
Dr. Seuss’ The Grinch ($17,730,000)
Creed II ($16,832,863)
Fantastic Beasts: The Crimes of Grindelwald ($11,200,000)
Bohemian Rhapsody ($8,100,000)
Instant Family ($7,150,000)
The Possession of Hannah Grace ($6,500,000)
Robin Hood ($4,700,000)
Widows ($4,400,000)
Green Book ($3,900,000)

Next weekend is so sparse with new content that the biggest release is going to be an anniversary screening of Schindler’s List, hitting 1,000 screens. It’s a good time to take in some smaller releases as Mary Queen of Scots, Ben is Back, and Vox Lux will be having limited releases. So it’s safe to expect a repeat of this weekend’s trends in the box office.


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Box Office

“Ralph” Breaks The Box Office, “Creed” Close Behind

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Thanksgiving week is a time for family and there were plenty out to the theater last week for an animated family picture. Ralph Breaks The Internet, the Disney-animated sequel to 2012’s video game adventure comedy Wreck-It Ralph, came in at #1 for the weekend with $55 million and $84 million since its debut on Wednesday. This puts it above the Disney studio’s previous Thanksgiving hit Moana, which had a 5-day total of $82 million.

Not too far behind is Creed II, the sequel to the Rocky spin-off starring Michael B. Jordan and Sylvester Stallone. The boxing sequel took in $35 million for the weekend and $55 million since Wednesday. This is a stronger opening than the first film which came in at $29 million for the weekend.

And it was slim leftovers for the two other debuts. Robin Hood, the latest action remake of the classic tale, came in at #7 with only $9 million for the weekend, $14 million since Wednesday. Green Book, a drama about a black singer in the racist south of America, came in at #9 for its expanded week to make $5 million for the weekend and $7 million for its domestic total.

The Crimes of Grindelwald is not fairing to well for its second weekend. The Harry Potter spin-off has dropped to #4 with a domestic weekend gross of $30 million, a 52% drop. The film still hasn’t cleared its $200 million budget with a domestic gross of $117 million and it looks like it may never cross that mark as we head into December with more genre titles. Beating it out for #3 is Dr. Seuss’ The Grinch, the theatrically animated adaptation by Illumination, that is proving to have great legs coming into the holiday season. Worth noting at #10 is A Star Is Born, its domestic total now having crossed $191 million to make it one of the most profitable films of the year.

View the full top 10 box office results for the weekend below:

Ralph Breaks The Internet ($55,672,000)
Creed II ($35,293,000)
Dr. Seuss’ The Grinch ($30,210,000)
Fantastic Beasts: The Crimes of Grindelwald ($29,650,000)
Bohemian Rhapsody ($13,855,000)
Instant Family ($12,500,000)
Robin Hood ($9,125,000)
Widows ($7,955,000)
Green Book ($5,443,000)
A Star is Born ($3,005,000)

Next weekend is, well, it’s pretty dead. So dead that a ghost movie is occupying the rather blank spot. Possession of Hannah Grace, a modest horror production, will be arriving in under 2,000 theaters. So it’s fair to say you can expect Ralph to breakthrough for another weekend of success.


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