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Jumanji Stands Alone Atop January Box Office

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Another weekend in January, another hefty sum for Jumanji. Still dominating the top slot, Jumanji: Welcome to the Jungle brought in another $20 million this weekend, remaining at #1 and now crossing over past $300 million domestic. Those are some remarkable legs for a remake by Sony, but you can’t be too surprised with the charismatic Dwayne Johnson leading the film. The hype seems to be winding down slightly, so expect it to drop down from the slot in the next week or two.

jumanji-welcome-to-the-jungle-movie-reviewA few new films came close to nipping at its heels. 12 Strong, the new Chris Hemsworth led military drama on the declassified mission of horseback soldiers in Afghanistan, ranked in $16 million to come in at #2. Just below that film is the 50 Cent heist picture, Den of Thieves, bringing in $15 million to earn the #3 slot. They were close but didn’t entirely take the weekend by storm, ending up with an almost even split between the two. The other debut that was even less lucky was the drama Forever My Girl, making only $4 million for the weekend, but considering its small release of just over 1,000 theaters, it doesn’t seem that bad.

The rest of the films took expected dips. The Post, still riding on awards chatter and critical acclaim, stood firm at #4 as it nears making its budget back. The Greatest Showman, the lavish musical that is also gaining some awards chatter, continues to hang in there and has now cleared $100 million domestic. Star Wars: The Last Jedi dipped down further to #8 as it starts to leave more theaters, but has finally crossed the $600 million domestic mark it was expected to pass. The most exciting development was Paddington 2, the sequel to the live-action adaptation of the talking bear adventure/comedy, moving up one slot from last week to #6 with $8 million. It could very well have some legs as the only new family film of the month that is receiving heaps of praise from critics.

See the full list below.

Jumanji: Welcome to the Jungle ($20,040,000)
12 Strong ($16,500,000)
Den of Thieves ($15,320,000)
The Post ($12,150,000)
The Greatest Showman ($11,000,000)
Paddington 2 ($8,240,000)
The Commuter ($6,685,000)
Star Wars: The Last Jedi ($6,566,000)
Insidious: The Last Key ($5,945,000)
Forever My Girl ($4,703,070)

Next weekend will see the release of another franchise title and a period drama. Maze Runner: The Death Cure, the third film in the young adult Maze Runner series, will be released into 3,800 theaters. Hostiles, an American historical drama from director Scott Cooper and starring Christian Bale, will hit 3,000 theaters. Both may have a shot at toppling Jumanji, but the safe bet is that Maze Runner will be the one to finally dethrone the king of the box office jungle.


Box Office

“Lego” Makes Little Splash at #1 For Weekend

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As we head into February, a larger crop of films are headed to the theater to take the top spot away from films that have been dominating the top 5 for quite some time. And while most of the older films were knocked a few spots down, the champions of the weekend didn’t exactly have the grandest of debuts for being so high on the charts.

While it’s no surprise that The Lego Movie 2, the sequel to 2014’s surprise hit of an animated film, was at #1, it wasn’t by as hefty an amount as the previous movie. The animated sequel premiered at $34 million, surprisingly weak considering how strong the last film did on its first weekend. Still, it’s by far the highest of the weekend box office. Just below it at #2 was the gender-based comedy What Men Want, starring Taraji P. Henson and Tracy Morgan, coming in with $19 million. And just below that was the thriller Cold Pursuit, starring Liam Neeson and Laura Dern, at #3 with $10.8 million. And debuting even further down at #6 is the new horror film The Prodigy with a weekend debut gross of $6 million.

Aside from the thriller Miss Bala taking the biggest dip of the weekend at 60%, most returning films took very low drops in box office. The lowest drops were for the heartwarming dramas of The Upside and Green Book, only dropping 16% and 18% respectively. Finally being knocked out of the top 5 was Aquaman with a current domestic gross of $328 million and Spider-Man: Into the Spider-Verse with $179 million.

Check out the full top 10 for the weekend below:

The Lego Movie 2: The Second Part ($34,400,000)

What Men Want ($19,000,000)

Cold Pursuit ($10,800,000)

The Upside ($7,220,000)

Glass ($6,422,000)

The Prodigy ($6,004,403)

Green Book ($3,567,000)

Aquaman ($3,300,000)

Spider-Man: Into the Spider-Verse ($3,040,000)

Miss Bala ($2,725,000)

Next weekend will be Valentine’s Day weekend where romantic comedy will do battle against futuristic cyborgs and bloody curses. Isn’t It Romantic, the romantic comedy satire starring Rebel Wilson, will hit over 3,300 theaters. Happy Death Day 2U, the horror sequel about a woman who can’t stop by dying, will premiere to 3,000 theaters. And Alita: Battle Angel, the dystopian sci-fi adventure based on the classic manga, will premiere to 3,700 theaters.


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“Glass” Glows Amid Dim Weekend

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The weekend of the Super Bowl found the box office low about as expected with not a single film making over $10 million for the weekend. As such, there were very few surprises with which films ended up where. Just as with last week, Glass is at #1 for its third weekend, coming in with $9.5 million, shaping up to be another financially successful film from M. Night, though it’ll start dropping as we head into February. Just behind it is the dramedy The Upside, pulling up close with $8.8 million as it expanded into a few more theaters for the weekend.

The premiere for the weekend, Miss Bala, a cartel thriller, only debuted at #3 with a box office debut of $6.7 million. Not a very strong opening but it did manage to get just above the December box office hang-on superhero movies of Aquaman and Spider-Man: Into the Spider-Verse, still in the top 5. Green Book, coming up on awards season, soared higher in the box office upon expansion and The Kid Who Would Be King, unfortunately, won’t be seeing much of an audience going into February.

Debuting in a very limited engagement is Peter Jackson’s They Shall Not Grow Old, a WWI documentary with restored footage. The film had originally opened the last week of December in a handful of theaters but thankfully expanded into more theaters where it was strong enough to make it to #10.

Glass ($9,535,000)
The Upside ($8,850,000)
Miss Bala ($6,700,000)
Aquaman ($4,785,000)
Spider-Man: Into the Spider-Verse ($4,410,000)
Green Book ($4,317,000)
The Kid Who Would Be King ($4,200,000)
A Dog’s Way Home ($3,510,000)
Escape Room ($2,900,000)
They Shall Not Grow Old ($2,405,000)

Next weekend is all about the LEGO. LEGO Movie 2, the animated sequel, will be hitting over 4,000 theaters. Also opening will be the thriller Cold Pursuit in 2,500 theaters, the killer-kid horror The Prodigy opening in 2,500 theaters, and the gender comedy What Men Want in 2,800 theaters.





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“Glass” Holds Firm, “King” and “Serenity” Sink

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M. Night’s Glass already had a lot of hype for being the most anticipated movie of January and the popularity is proving it. Now in its second weekend, the thriller has made another $19 million and has shown itself to be a box office success even in the colder months of January where it’s not exactly pulling in the largest of box office numbers. Not exactly a twist from a director known for twists.

The premieres for the weekend didn’t fare well at all. The Kid Who Would Be King, Joe Cornish’s kid-oriented fantasy of modern knights and demons, debuted only at #4 with a weekend gross of $7.2 million, lagging not far behind Aquaman which made $7.3 million. It seems strange that family entertainment wouldn’t be a bigger hit in a month with little of that. But then again, Spider-Man: Into the Spider-Verse is still in theaters and still doing well at #5, proving to have the legs to stick around into February as it continues to win awards for being a groundbreaking animated film.

Also debuting lower is Serenity, a new drama by Steven Knight. This one doesn’t seem as surprising given both the lack of promotion for the picture and the abysmally negative critic reviews, declaring the film as an early front-runner for the worst of the year. The movie only came in at #8 for the weekend with a gross of $4.8 million.

Worth noting is that Dragon Ball Super: Broly is still hanging in the top 10, latching onto the #10 spot with a gross of $3.6 million. Though not the biggest box office compared to its competition, it’s a big success for FUNimation pushing anime into theaters given they’ve yet to have as big of a release as this one and for such a long time. Most anime they release in theaters are only present for a weekend if that and tend not to crack the top 10 as often. Dragon Ball Super has become the exception and may lead to more anime screenings to larger theater counts in the future.

See the full top 10 for the weekend below:
Glass ($19,049,000)
The Upside ($12,240,000)
Aquaman ($7,350,000)
The Kid Who Would Be King ($7,250,000)
Spider-Man: Into the Spider-Verse ($6,150,000)
Green Book ($5,413,000)
A Dog’s Way Home ($5,225,000)
Serenity ($4,800,000)
Escape Room ($4,275,000)
Dragon Ball Super: Broly ($3,600,000)





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