[dropcap]U[/dropcap]PDATE: Earlier this week, Disney revealed that they’d be removing their content from Netflix. However, there’s more to the story. Apparently, they are thinking keeping their own content split up, with separate streaming services for Marvel and Star Wars content.
According to Disney CEO Bob Iger, there isn’t a ton of overlap between Disney fans and that other content. For example, kids watching Toy Story and Frozen probably won’t be hunting down Captain America: Civil War.
Still, more streaming services means more subscriptions to pay for. Here’s hoping they keep things as consolidated as possible.
Disney has established itself as one of the biggest cultural institutions around. However, their decision to say sayonara to Netflix sounds like one of Disney’s less wise decisions.
There are a lot of television streaming services out there right now, including Amazon Prime and HBO Go. But if viewers had to choose just one to subscribe to, it would be Netflix. Not only does it have the best content, it also has the best user interface, which makes it easy to use and find new shows.
Disney has struck deals with Netflix to allow the service to carry their programs, including the Marvel films and Lucasfilm titles. But now Disney is saying “just kidding” and removing all their content.
Disney chief Bob Iger announced the big news on an investors call. All Disney titles, which includes everything from Star Wars to Pixar films, will be taken down by 2019. Why? Because Disney wants to make their own streaming service. Yep, yet another thing you’ll have to add to your subscription list.
But that begs the question–will people subscribe? Are Disney movies alone worth a subscription fee? Possibly for some people, but more and more people are getting frustrated with the divisions going on with streaming.
Deadpool Dethrones Avengers With Triple-Digit Debut
The first film to knock down Marvel Studio’s towering juggernaut of Avengers: Infinity War from the #1 slot has arrived. It’s no surprise that it would indeed be another superhero movie, but it is surprising by how much it overtook. Deadpool 2, Fox’s Marvel property of a fourth-wall breaking anti-hero that satirizes comic book movies, premiered to a huge first weekend of $125 million domestic. Despite being just a few million dollars short of its previous film, it’s still an impressive achievement for an R-rated Marvel movie that keeps the momentum going both in comedy and box office. Even more impressive is it’s worldwide gross that is currently sitting at a beefy $301 million. Expect it to stick around for such a successful first weekend.
With such a high take from Deadpool, Avengers: Infinity War naturally took a big hit. Dropping by 53%, the blockbuster made only $28.6 million in fourth weekend. It’s still standing tall with a domestic total of $595 million, but it’s doubtful at this point that it’ll reach the same heights as Marvel’s earlier 2018 blockbuster of Black Panther. Other debuts this week were not so lucky with such limited takes. The all-female comedy Book Club premiered at #3 for the weekend with a $12.5 million domestic gross. The family comedy Show Dogs placed at #6 with $6 million in its domestic take.
Returning films are weathering the Marvel storm decently with expected drops. A Quiet Place is still hanging in there with the lowest drop of the weekend, bringing in another $4 million to boost its domestic total up to $176 million, still an amazing gross for the $17 million horror movie that could. The giant monster movie Rampage is clinging to the top 10 in its #9 slot, but it’s not looking good for such expensive blockbuster still so far away from meeting its budget. And RBG, the documentary on Ruth Bader Ginsberg, remains in the #10 spot from last weekend with its domestic total now up to $3.8 million.
View the full top 10 for the weekend below.
Deadpool 2 ($125,000,000)
Avengers: Infinity War ($28,672,000)
Book Club ($12,500,000)
Life of the Party ($7,725,000)
Breaking In ($6,470,000)
Show Dogs ($6,034,770)
A Quiet Place ($4,040,000)
Next weekend will pit Deadpool against another anti-hero in Disney’s Solo: A Star Wars Story, the Star Wars side story on Han Solo. It will indeed be interesting to see how a Star Wars movie plays in the summer as the previous three Disney Star Wars productions have all been massive blockbusters in December. For debuting in 4,200 theaters, the pressure is on to see Star Wars topple Marvel.
Another Astounding Weekend at the Box Office for Avengers: Infinity War
Box Office Weekend 5/4/18-5/6/18
Not the least bit surprising, Marvel’s Avengers: Infinity War has dominated the weekend box office with another massive gross. In its second weekend, the grandest superhero ensemble to date brought in $112.4 million. This brings its domestic total up to $450 million, and its worldwide take well over $1 billion. Time will tell if it has the legs, however, to hold its own against Marvel’s other superhero epic this year, Black Panther. Considering Black Panther is still in the top 10, and has almost passed $700 million domestic, it’ll be a close race between the two Marvel movies.
Of course, the success of the Avengers is due in no small part to this being a rather sparse weekend of premieres appearing in fewer theaters. Braving the Marvel storm to come in at #2 was the romantic comedy remake, Overboard, starring Eugenio Derbez and Anna Faris, making $14.7 million domestic. And if that’s the gross of the #2 spot, you can imagine how lower the other films are. Tully, a new comedy Jason Reitman and starring Charlize Theron, came in at #6 with a domestic gross of $3.1 million. Further down at #10 is the new David Tennant starring thriller, Bad Samaritan, making $1.7 million for the weekend.
There were expected dips all around with no huge surprises, but many of the successful films that have hung around are growing a considerable gross. John Krasinski’s A Quiet Place had the lowest drop and is currently sitting at a robust $159 million domestic total. Ryan Coogler’s Black Panther has already blazed many records, but it’s only $7 million away from clearing $700 million domestic.
See the full top 10 box office results below.
- Avengers: Infinity War ($112,474,000)
- Overboard ($14,750,000)
- A Quiet Place ($7,600,000)
- I Feel Pretty ($4,900,000)
- Rampage ($4,620,000)
- Tully ($3,186,000)
- Black Panther ($3,146,000)
- Truth or Dare ($1,885,000)
- Super Troopers 2 ($1,815,000)
- Bad Samaritan ($1,758,000)
Next weekend, Avengers will be battling against the Melissa McCarthy starring comedy Life of the Party and the Gabrielle Union starring thriller Breaking In. Considering that Life of the Party will have the most significant theater count, McCarthy has the only real shot at being the first film to knock the superhero giant down from the top 10, though it’s doubtful of the Avengers hype will have died down by then.
Review: “Deadpool 2” is Reheated Chimichangas That Mostly Hold Up
Deadpool is third-wall breaking anti-hero that feels more needed than ever in the current crop of amassing superhero films. His self-aware satire made his 2016 film a hoot with commentary on the messy timelines, the lack of casting, and even mocking Ryan Reynolds himself. And while his sequel film does maintain that fast-paced and joking nature that made the character a breath of fresh air, it’s mostly the same brand we’ve come to expect from the merc with the mouth.
All the familiar scenes are present, even with the same bits of dialogue repeated from the previous film. There’s an opening fight where Wade “Deadpool” Wilson (Ryan Reynolds) narrates how this isn’t a superhero movie for the kids. There’s an extended bit where he trots around the X-Men headquarters where there are little to no mutants present. Hugh Jackman isn’t present in the film, but he always seems to find his way into the script in one form or another. Deadpool even rides up to the finale in a taxi and mentions chimichangas once again. While these segments still garner a laugh, there’s a lingering notion with each smirk that this superhero is running out of originality.
One of my biggest complaints about the previous film was that there needed to be more actors for Deadpool to play off so that his fourth-wall narration doesn’t overwhelm the screen. The sequel features the opposite, amassing too many characters for Wade to rib that they struggle to work their way into the script. Cable (Josh Brolin) is a soldier of the future that travels back in time to kill a mutant kid and becomes bitterly frustrated with Deadpool being an obstacle. This would’ve been enough for a buddy picture, but the film keeps stuffing in heroes. Deadpool takes a liking to Cable’s target of the overweight teenage mutant Firefist (Julian Dennison), but the kid is so cocky and stand-offish that their chemistry doesn’t have much time to develop. Not when Deadpool must also ally himself with Domino (Zazie Beetz), a hero whose superpower is plot armor. And while Colossus and Nega return from the previous film, their roles are so standard that they naturally become lost in the shuffle.
There’s a tightrope of typical superhero staging and self-aware silliness that Deadpool walks once more, and there’s a larger wobble this time around. There’s a bitter pathos to push Deadpool forward in his plight, but it comes with knowledgable spite for last year’s Logan pulling the same strings, of which Deadpool curses outright. A change of pace for the character is his desire to embrace the X-Men philosophy of no killing, but Wade still plays fast and loose with this logic, counterintuitive of his journey to better carve out a family.
And, wow, does the diversity angle feel so much like bullet-point lip-service, where the black Domino has no flaws, and the lesbian Nega has no character. It’d be nice to have a film where Deadpool coordinates a diverse collective, but everything is so tightly packed with little room to breathe that the inclusivity feels more like a quota, trying to appease everyone without exploring any one angle deeply. Let me know more about Domino’s tragic past without wedging it in at the last minute. Give Nega some better lines considering that her girlfriend, whose only interactions are saying hi to Deadpool, has more dialogue than she does. You wouldn’t even know Firefist has a problem with the perceptions of his weight if he hadn’t brought it up in conversation.
Yes, Deadpool 2 is still funny, especially with one of the most hilarious mid-credit sequences in recent memory. But most of the laughs are familiar ones, reiterating previous jokes and not landing as many original ones past the update of commenting on the current state of superhero cinema. It’s a bit sad that a film this satirical of the genre doesn’t realize it’s coming down with a severe case of sequel-itis, throwing far too many characters at the screen and hardly balancing any of them. There is levity and life in Deadpool, but it needs to start going that extra mile of absurdity in its awareness if it doesn’t want to become one of the lesser superhero franchises it loves to mock so much.
“Captain Marvel” Retains Top Slot at the Box Office
It’s no surprise that in its second weekend, the first Marvel Cinematic Universe of 2019 is still riding high. Captain...
“Dragon” Continues To Soar, “Funeral” Close Behind, “Green Book” Back
With little competition for the weekend, How to Train Your Dragon: The Hidden World, the third in the animated fantasy...
Review: “Captain Marvel” is a Solidly Sensational Sci-Fi Adventure
Captain Marvel joins the ranks of the Marvel Cinematic Universe in a much different way. She slides into the MCU...
“Captain Marvel” Makes a Heroic Box Office Debut
Despite online controversy, another Marvel Comics movie has debuted to another astonishing figure. While not as monumental as last year’s...
“Alita” Fights For First, Romance and Horror Behind in Box Office
Valentine’s Day weekend wasn’t exactly the weekend where the romantic comedy took the top spot. But, surprise, the top spots...
Review: “How to Train Your Dragon: The Hidden World” Tumbles With Too Much
The saga’s plucky hero and leader Hiccup gives the standard introduction to his Viking village of Burke, now toppling and...
“Dragon” Dominates Last Box Office Weekend of February
2019 so far has been fairly low in the box office thus far. Few new debuts have had as large...
Review: “Happy Death Day 2U” Goes From Clever to Confounding
The sequel to 2017’s fresh and giddy horror concept of Happy Death Day comes crashing in with the least remarkable...
“Lego” Makes Little Splash at #1 For Weekend
As we head into February, a larger crop of films are headed to the theater to take the top spot...
Review: “The LEGO Movie 2” Builds More of the Same
There’s was such an inspiring surprise behind 2014’s The LEGO Movie that resculpted the landscape of property-based movies. LEGO already...
Movie Lists3 years ago
The 29 Steamiest Bikini Movie Moments of All Time – #23 is a Shocker!
Marvel2 years ago
All Marvel Movies Ranked From Worst to Best – Including Doctor Strange!
Movie News5 years ago
Watch: Matthew McConaughey ‘Interstellar’ Teaser Trailer
Marvel3 years ago
45 Marvel Movies Ranked Worst to Best: #39 Should NEVER Have Been Made
Marvel3 years ago
All 46 Marvel Movies Ranked Worst to Best – Including Doctor Strange!
Movie Lists3 years ago
The 28 Most Beautiful Women in Hollywood: They’re Gorgeous, Glam & Sexy
DC3 years ago
All 30 DC Comics Movies Ranked from Best to Worst – What’s Your Favorite?
Movie Lists3 years ago
All 14 Tom Hiddleston Movies from Worst to Best: Teen Rebel to God of Mischief